Katarina Kano is a media artist, animator, and sculptor.
A phygital art manifestor. Using animation, she sets sculptural forms in motion. For the artist, this approach is not so much a technique as it is an essence — a key component in the act of REVIVING THE INANIMATE.
Katarina Kano's art is rooted in a deep interest in eternal themes: freedom, birth, and death, which are fully revealed in the digital medium and its symbiosis with the created shell.
Katarina Kano is a nominee for the «Sergey Kuryokhin Prize 2022» and an annual participant in the festival of interactive projects and media art «Digital Mechanics» at the Sergey Kuryokhin Center for Contemporary Art. She was also nominated for the «Erarta Prize 2023». From 2022 to 2025, she actively takes part in exhibitions and festivals of phygital and digital art, as well as other international and Russian projects. She is a resident artist at the phygital contemporary art gallery «OXPA».
A phygital art manifestor. Using animation, she sets sculptural forms in motion. For the artist, this approach is not so much a technique as it is an essence — a key component in the act of REVIVING THE INANIMATE.
Katarina Kano's art is rooted in a deep interest in eternal themes: freedom, birth, and death, which are fully revealed in the digital medium and its symbiosis with the created shell.
Katarina Kano is a nominee for the «Sergey Kuryokhin Prize 2022» and an annual participant in the festival of interactive projects and media art «Digital Mechanics» at the Sergey Kuryokhin Center for Contemporary Art. She was also nominated for the «Erarta Prize 2023». From 2022 to 2025, she actively takes part in exhibitions and festivals of phygital and digital art, as well as other international and Russian projects. She is a resident artist at the phygital contemporary art gallery «OXPA».
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