2025

media object
size: 100x50x40
screens, metal frame, gypsum, plywood, polymer materials
BEAST #4
(Lions)
series: anti-Noah's Ark
The Lion's vision diverges into two horizons; this expanded perception is akin to a stream of light that simultaneously illuminates and blinds. Information becomes air so saturated that breathing is no longer easy. The wider the field of vision, the harder it is to discern what is essential.

The creature's body and digital heads seem to tremble on the threshold between the living and the illusory. The sculpture becomes a sign of inevitable transformation, where the Lion, possessing two controlling organs, has surrendered control of them to the system.


The Anti-Noah's Ark series is a central project of recent years, born from a single question: what happens to those who were not saved? My robotic-looking Beasts are the outcasts—those who had to reinvent themselves simply to endure. Their bodies are assembled from plaster, bone, hide, metal, and polymers: vulnerable remains destined for decay. Yet, on embedded screens, their digital twins pulse in a continuous loop, like spirits that no longer obey the laws of circumstance. At the same time, without electricity, the "inside" of the Beasts vanishes, becoming an invisible essence within the forms—something strikingly similar to what we call souls...

Each of the Beasts speaks of inequality in life and universal equality in death; of the irony of being "chosen," and of the bitter necessity to evolve when you were left behind.
series:
ANTI-NOAH'S ARK
Made on
Tilda